Showing posts with label Faye Dunaway. Show all posts
Showing posts with label Faye Dunaway. Show all posts

Wednesday, March 7, 2018

No, Young Padawan, The 90th Oscars Was No "Turd Show"

Image result for 90th Oscars images

I was disheartened and somewhat disappointed to open my Facebook page Monday to see a post from a nephew headed "Oscars - What A Turd Show!"   What prompted such a harsh judgment? There was little elaboration other than it "sucked" and "was too long" - but reading assorted critiques around the net one quickly concludes one of three reasons: 1) The show is long - this time running 4 hours and "trying even the patience of hard core movie lovers"  according to one WSJ piece, 2) too much politics and activism on display, or 3) the films receiving awards weren't the big box superhero or other flicks the hoi polloi wanted to win.

Fair enough, but I'd argue none of these warrants calling the Oscars "a turd show".. What is a real turd show is any Trump presser or photo op in the White House  like with the DACA gathering or the recent one on guns- when we know the guy is just going to lie and play everyone in his typical con game.

According to a WSJ piece yesterday ('Oscars Hit Sour Note With Viewers', p. B1,  Business & Finance) the viewing audience fell by 19 percent from last year's which drew 32.4 million. The previous low was 32 million in 2008. We also learned (ibid.):

"There was no shortage of social commentary during the broadcast, as the issues of sexual harassment and equal opportunities for women took center stage. ...Many on social media pointed to performers using their platform to espouse political and social views as  factor in viewers tuning out."

Another lame excuse given for the drop in viewers was from Brandwidth which "attributed the decline to the pandemonium on social media last year when the wrong movie  La La Land  was accidentally announced as Best Picture winner instead of the rightful winner, Moonlight."

Of course, the very reason that snafu occurred was because a genius from Price Waterhouse Cooper  -which controlled the award envelopes  - was too enmeshed in social media texting to attend to delivering the correct envelope to the presenters (Faye Dunaway and  Warren Beatty).  For people now -  mainly social media addicts - to tune out because it might occur again is total bollocks. It also doesn't say much about their average IQ.

But I submit that the preceding reasons may only account for perhaps 5 percent of the dropouts at most. After all, as any intelligent person  -viewer knows, such politicizing has always been part of the Academy Awards, certainly in the past two decades. We also know the movies don't exist themselves in a bubble - detached from the greater society. Especially now in the age of Trump where every thing the bastard does or says grabs air space and headlines. So why the hell wouldn't a reaction to it?

For example, the latest blockbuster superhero movie, 'The Black Panther', was described in a recent TIME article as "an act of resistance by its very existence."  Indeed, the latest issue asserts that as recently as five years ago it likely couldn't have been made  - a spectacle film with nearly all black cast and black super hero to boot. We saw it with our friend Muriel two weeks ago and loved it.  And for sure the power projected by the  black citizens of the fictional African nation of Wakanda would make any white nationalist or Trumpie racist tremble in his boots.  As would the "Black Panther" himself:


In a similar vein the Best Picture winner,  The Shape of Water, was about diversity and breaking down the barriers that divide us. Personally, after watching it twice at the cinema, it ought to be required viewing for every Trumpie. That, and The Black Panther.

This brings us to what is more likely the main reason for a drop in  Oscar viewers (ibid.):

"The sheer number of entertainment choices is causing an industry wide decline in rating across all TV programming. Live performance had, at least for a while, been the exception to the broader declines, as audiences recorded shows or turned to on-demand streaming services."

This condition is what author  Alvin Toffler in his 1970 bookFuture Shock" referred to  as "over choice ".   Too many choices, especially in media, diluting any collective attention to one thing, one show, one event.  From Wikipedia we have:

"The phenomenon of overchoice occurs when many equivalent choices are available.[Making a decision becomes overwhelming due to the many potential outcomes and risks that may result from making the wrong choice"

In terms of entertainment media in the current era, there is inevitably no "equivalence" in  viewing choices because of  consumer driven preference  creeping in. Thus, there is now the preference for "cord cutting" and streaming movies and such instead of watching the latter in actual theaters. This is particularly so among the younger set.  Hence, we now see a kind of "regression to the mean" which often translates to the most comfortable choice  for many viewers.   Take my nephew, for instance. If he is a frequent Netflix user, or even more inclined to play video games  - and is then confronted by a choice between these and watching the  entire 90th Oscars on network TV,  he will almost certainly go for one or other of the former.  He will skip over the Oscars - or ditch it quickly  - because it doesn't deliver the mode of entertainment he wants.  (But to call the Oscars a "turd show" because they're not his cup of tea, is going a bit too far imho.)

This phenomenon of consumer preference is not so critical in terms of entertainment but becomes a real danger to our democracy when we have balkanized news media    - including one  (FOX News) which lies and distorts as a kind of  agenda to pander to its viewers.

 In October of 1962 all 100 million of us watched the same Walter Cronkite on CBS as he spelled out the latest news on the Cuban Missile Crisis. There wasn't some "channel X" that half the citizens tuned to which told them  "we repeat again-  this whole Cuban Missile crisis is a hoax, this is a big nothing burger."

We watched and enjoyed the Academy Awards as we do every year because we are hard core movie lovers  seeing on average 16-20 movies a year, by which I mean actually showing up to buy tickets, get cokes etc. and recline in the new D-Box seats.  By contrast, the typical American sees only four films a year at the cinema  - according to another WSJ piece. (Mar. 5).  Given this difference, I would conjecture people like us are much more likely to tune into the Academy Awards and pay attention to the awards for 'sound mixing', 'best animated feature'  and 'best musical score' as well as 'Best picture'.

It is true, as the WSJ piece notes,  that "most of the nominees and winners  came from films that weren't box office hits",   and this could also explain part of the lack of  U.S. viewer interest.  But on the other hand, the Oscars ceremony and fanfare on a global stage, enables the opportunity to highlight little known,  quality movies that  -  while not "block busters"  -  are well worth seeing.  Not every great film has to be about super heroes, or be  a super hero sequel.  Finally, bear in mind while the U.S. audience may have dwindled, there's still a global audience that dwarfs it.  While it's not "a billion" - as frequently cited, e.g. by Oscar hosts-   it is in the high nine figures and from 30 to 40 times the U.S. viewership in any given year. So if 26.5 m U.S. viewers watched this year, do the math and you find at least 795 million would have watched this year, globally. Not too shabby!

Maybe one day my young Padawan nephew will appreciate that and also be more inclined to move out of his entertainment -viewing comfort zone.

Monday, February 27, 2017

"Moonlight" Overtakes LA LA Fantasies After Biggest Flub In Oscar History

Actor Warren Beatty (C) explains a
The instant of total chaos last night after Warren Beatty and Faye Dunaway screwed the pooch at the Oscars by reading from the wrong card.

We had waited some three and a half hours and finally the award of the night was to be announced, the Oscar for 'Best Picture'. I'd already written in the previous post how I believed awarding the Oscar to "La La Land" -  a vacuous, navel gazing musical about aspiring actors in LA  - would be a monumental waste. So Janice and I waited with bated breath as Warren Beatty and Faye Dunaway approached the mic with the red envelopes bearing the winner.

The pair had one job to do and one only: simply announce the Best Picture movie. How hard could it be? Well evidently pretty damned hard as the pair screwed the pooch - making infamous  Oscar history by announcing "La La Land" - then some three minutes later, having to retract it  after La La Land  producer Jordan Horowitz interrupted the celebration. He held up the card and immediately  called attention to the discrepancy on the winners card in his hand. That card showed the actual Best Picture winner the award went to "Moonlight", a small circulation, Miami-based indie flick.

  Until the "Moonlight" cast and team made its way to the stage everyone looked lost in a surreal, parallel universe. Or to put in more blunt terms, they didn't know whether to shit or go blind, given"Moonlight" was named Oscar winner  after   "La La Land" was announced first.

What happened to cause this travesty, and whose fault was it? Contrary to some hot head Trumpie nitwits (commenting on the Miami Herald site) it was not "stupid Hollywood liberals" but one pair of over the hill actors to blame.  While the keepers of the envelopes (Price Waterhouse Cooper) did admit giving Beatty the wrong envelop (it was for Actress in a Leading Role) it was ultimately Beatty (and Dunaway's) job to provide to final fail safe. That was as opposed to acting the part of two unthinking automatons.  Hence, Michael Strahan's take this a.m. that "it was nobody's fault" is bare balderdash. Of course it was! It's the fault of anyone who doesn't take the initiative to use his or her brains!

We know computers are basically "dumb" (save Watson maybe) because they always do just what you program them to do, so they take input and process it literally.  Humans are supposed to know better and think before they act or expel or generate output (Trump excluded). Beatty didn't - this despite the fact that the damned outside of the envelope was clearly freakin' labeled in gold-embossed letters, "Actress in a Leading Role". Even if Beatty  and Dunaway didn't clearly see the envelope lettering, once he opened it up and pulled out the sheet even Faye Dunaway observed (as shown this a.m. on ABC): it said "Emma Stone".

A sentient human would know at that point something was amiss. Rather than go ahead and babble out the wrong award, they'd have done better to ACT like sentient beings. In other words,  pause the proceedings saying: "Excuse us but we think we've been handed the wrong envelope."  This might have created some minor embarrassment as the correct envelope was retrieved, but would have avoided a total, unbelievable fuckup of the proportions observed.

In that sense, I blame both of them for being ultimately responsible for the snafu when they had the final control over ensuring it didn't happen. But they botched it, creating shock for both the falsely named winners, and also the actual winners. Who, let us note, were denied the singular spotlight and acclaim  they were due for winning the top prize of the night. Having that moment of spotlight eclipsed by an  incorrect award. (Which is now mostly being talked about as opposed to the winning movie).

And that was no small achievement for a small budget film (est. $1.7 million by The Miami Herald to make it) by two guys - Barry Jenkins and Tarrell Alvin McCraney- who hail from Liberty City in Miami. Here's all you need to know about Liberty City: In LA terms it is roughly analogous to Watts or South Central. It's the "hood" where  in 1984 -  after I returned from an American Astronomical Society conference in Baltimore - my cousin Linda sped past the area in her Corvette,  driving from the airport on the I-95 expressway at 85 mph.   In her words: "We are not going to go slow here or even stop at any lights!"

The movie itself is based on a play ('In Moonlight Black Boys Look Blue') by McCraney concerning a troubled kid ("Chiron") who must deal not only with assorted bullies, but a drug addicted mother.  The kid in one scene is chased into an abandoned building by a mob of boys tossing rocks and wielding sticks. After some time, the door opens and it's one of the main local drug dealers (played by Mahershala Ali) who also won the Oscar for Best Supporting Actor, e.g.


The drug dealer then becomes the boy's father figure and mentor to steer him toward a more constructive life - or at least try. (I won't give any more details for those who'd like to watch it. It's currently playing on DirectTV Pay Per View, it's hard to find in the cinemas - but the Oscar may change that.)

In his review of "Moonlight, " L.A. Times film critic Kenneth Turan wrote, "So intimate you feel like you're trespassing on its characters’ souls, so transcendent it's made visual and emotional poetry out of intensely painful experience, it's a film that manages to be both achingly familiar and unlike anything we've seen before."

Though I had wanted to see 'Hidden Figures' win (last post) because of it's wide appeal, I am okay with "Moonlight" given how - in Barry Jenkins' words - it had shone light on troubled kids of color who barely got any attention in film. Nothing to "mirror" them or their lives. And just as La La Land was described as a love letter to LA, "Moonlight" was described as a love letter to Miami, urban blight and all. In Barry Jenkins words:

Miami felt really small to me when I was a kid. You couldn’t really leave the neighborhood — the city was so compartmentalized — and because of the way I grew up, I don’t remember it as a happy place. But it wasn’t like ‘Boyz n the Hood’ either. There weren’t as many guns on the street as there are now. It didn’t feel like a dark place, even though there were a lot of dark things going on around us."

In the end, the reality of Miami and Liberty City triumphed over the movie star fantasies stoked by La La Land. The tragedy is that in the wake of the Best Picture disaster last night the talk is more about the disaster than the movie itself. 

Read more here: http://www.miamiherald.com/entertainment/movies-news-reviews/article135195944.html#storylink=cpy