Blogger Victoria Strauss (Writer Beware - Writer Beware ) has been a veritable, go-to human resource for avoiding the pitfalls of writing -publishing scams. Alas, I found her blog archives a bit too late and had already been taken in by the literary scam come-ons. Strauss, in one of her entries describes why so many writers - struggling for recognition - get taken to the cleaners. As she puts it:
"Building
a writing career can include a lot of difficult, disappointing, and bruising
experiences. Rejection, low sales, the struggle for access and exposure…these
things take a toll. That’s something scammers can exploit, no matter how smart
you are, and no matter how well read."
Indeed. And so I was ripe for the picking when I received an email back in October praising a novel I'd written under a pseudonym back in 2005. The email included an image of the contact person holding a copy of my novel with cover shown, and expressing exuberance about its potential:

I was informed - despite selling bupkis up until then - of then "tens of thousands of copies" that could be sold with the right promotion and also a compelling review- which he included, i.e.
The Messiah Paradigm: (Kendra's Karma) is an intense and captivating sci-fi epic that merges philosophical questions of sacrifice, belief systems, and human endurance with intergalactic adventure. The premise alone—a young girl from Earth plucked from her life and thrust into the shoes of a reluctant Messiah on a distant, hostile planet—immediately piqued my interest.
The novel does an incredible job of weaving complex themes into its narrative. Kendra Cayley’s evolution from a naive schoolgirl to a Messiah grappling with existential questions about sin, sacrifice, and human divisiveness is one of the highlights. As a reader, you’re constantly rooting for her, even when the odds seem impossibly stacked against her. Her journey through the alien guilds, each representing different facets of human history and belief, offers a fascinating exploration of how power, faith, and survival intertwine across time and space.
The concept of the Messiah Paradigm—twelve hundred Saviors spanning 13 million years, each destined for painful martyrdom—injects a heavy dose of philosophical depth into the story. The way the author explores the price of salvation and the futility of forced redemption is both thought-provoking and emotionally challenging. It's clear the book isn't just about Kendra's journey—it's a reflection on collective guilt, and the consequences of failing to learn from our past.
Well, after that and a phone call explaining in excited terms the prospects, including showing the revised book at book fairs, I was basically all in. It would also help, he noted, if the book was re-released under a different ISBN with new cover and more distribution potential, say to bookstores like Barnes and Noble. He didn't have to say more and within a few days I had coughed up just over a grand to get the licensing and ISBN changed - and then approved for re-editing for the new book - which did indeed subsequently appear at B&N, e.g.
The Messiah Paradigm: Kendra's Karma by Daeron Shane, Paperback | Barnes & Noble®
As well as other bookstores, and Amazon,
The Messiah Paradigm: Kendra's Karma: Shane, Daeron: 9798895184646: Amazon.com: Books
Excitement built up as I eagerly anticipated the $$$ rolling in. After all, the company (WP Lighthouse) was also promoting it at book fairs and digital gaming venues -since a digital game - "The Messiah Game" - was introduced in Ch. 1. As well as with posters in assorted book stores and maybe even radio shows. But up to now not a dime has materialized nor any 1099s showing any earnings, period. It was only much later, following my trip to Boulder for the Solar Dynamics Observatory Workshop, that I came across another blog by Ms. Strauss about literary scams:
https://writerbeware.blog/scam-archive
In which one saw listed as bullet points:
· Re-publishing
or “re-branding” of your already-published book (often at relatively reasonable
prices, or offered for “free” with the purchase of something else, such as a PR
campaign–the aim being to hook you so you can be pressured to buy more
expensive services or targeted for more serious fraud);
· junk
marketing (marketing that’s cheap to provide, sold at a huge markup, and
ineffective for book promotion, such as press releases, email campaigns, book
fair booth display, “cinematic trailers”, paid radio and TV interviews, pay to
play book reviews, and more);
· Screenplay
writing and treatment and pitch deck creation, supposedly to get you a movie
deal;
· bookstore
distribution…but you have to pay upfront for the books or for shipping them;
· “endorsement”
or “representation” to Hollywood;
And the first bullet point hit me right between the eyes, because it's exactly what was done by WP Lighthouse. But say one thing, say the next: they DID deliver on the re-released, re-edited book, complete with new cover - front and back. And got it into traditional bookstores. Even Janice was impressed with the level of professionalism compared with the original.
Sadly, I found this Strauss' blog entry - and the next 4 bullet point examples - only after I'd signed on to another 'deal' to promote my latest sci-fi novel, The Oswald Option - already self-published, e.g.
The Oswald Option: A Parallel Universe Novel: Stahl, Philip: 9781312522312: Amazon.com: Books
But it needed a marketing boost and probably the right pitch deck, book proposal and query letters to be sent to get the attention of traditional publishers. This was promised by another person (Chloe Taylor) representing the publishing- promotion company called WorldWide Pages, e.g.
World Wide Pages | Publishing
I was excited by her spiel, the potential of a screenplay, possible movie, email campaigns, the whole nine yards- and bit hook, line and sinker. To the tune of $2700. To be fair, they delivered a superb book proposal, as well as a professional query letter, e.g.:
---------------------------------------------------------------------------
[Date]
[Publisher/Agent’s
Name]
[Publisher/Agency
Name]
[Address]
[City, State, Zip
Code]
Dear [Publisher’s Name],
I am
seeking representation for my book “The
Oswald option: a parallel universes novel”. It explores a reimagined Lee
Harvey Oswald as a quantum physicist whose invention allows him to observe
alternate realities, unraveling the implications of a universe where key
historical events, like the JFK assassination, unfold differently, blending science
fiction, historical intrigue, and ethical dilemmas.
The
book is a 64,726 –word science fiction, thriller and historical fiction aimed at
science fiction enthusiasts, philosophical fiction readers, historical fiction
fans, fans of cross genre blends, fans of thrillers and conspiracy novels with
potential appeal to adults as well. It is
intellectually provocative and suspenseful, combining the gravitas of
historical events with the speculative intrigue of alternate realities and the
ethical complexities of manipulating time.
I have included a brief synopsis[ and the first three chapters as requested. I believe this story would be a good fit for your list as it offers a fresh and intellectually stimulating narrative that blends historical fiction with speculative science, exploring quantum mechanics and alternative realities through the lens of the JFK assassination.
---------------------------------------------------------------------------------------------------
However, my understanding from the outset was that Ms. Taylor would be sending the query to designated publishers, not me. As I informed her, I had no idea which publishers would be the most amenable to receiving the work. That was what I was paying beaucoup dollars to her company for. Up to now, no reply has been received and I can only conclude I've been "ghosted" by Chloe and her company. A hard lesson learned, but it was probably on the wall when my last communication - a month ago - noted my lack of energy, inclination to complete a screenplay version of the book. I suspect she was expecting a screenplay of the novel with the expectation of “endorsement” or “representation” in Hollywood- and a movie deal. Which she believed would be easier than pitching the novel. Hasta la vista, chump, and thanks for the moola!
Still, I don't feel like the 'long ranger' because evidently there are tens of thousands of would-be novel writers scammed every day. As Ms Strauss also wrote, explaining in another entry why so many writers are scammed:
"Because (again in my opinion) there are so many writers.
Other creative pursuits have boundaries and requirements that
create bars to entry. Musicians need training, not to mention instruments.
Actors and singers may have limited venues in which to practice their craft:
there isn’t a casting call around every corner. Painters and sculptors need
often-costly materials. Models must conform to various standards of physical
appearance–much broader these days than in the past, but still restrictive.
But writing: writing is just words. Everyone has those. If you
can speak, you can write, and all you need to follow your impulse is an idea
and a computer, or pen and paper if you prefer.
Whether you should or not is a different question. But the
accessibility of writing, along with the universal human desire for
self-expression, inspires vast numbers of people to create a story or a poem or
a book. And what good is a story or a poem or a book without readers?"
This more than anything explained the basis for the proliferation of publishing scams. But still, didn't address why breaking in was so damned difficult, especially for the sort of sci-fi I'd written. The answer to that only came some time later when I read a piece in the NY Times dealing with the loss-absence of male fiction authors:
The Disappearance of Literary Men Should Worry Everyone
"Over the past two decades, literary fiction has become a largely female pursuit. Novels are increasingly written by women and read by women. In 2004, about half the authors on the New York Times fiction best-seller list were women and about half men; this year, the list looks to be more than three-quarters women. According to multiple reports, women readers now account for about 80 percent of fiction sales.'
For me, this put the capper on why I wasn't getting anywhere with the fiction writing and why no amount of 'promotions' or 'marketing' in any guise was likely to help. Basically, with the preponderance of female readers, my books were in literary "limbo" - way too "intense" be read. Not enough flowery lingo or "romance".
I decided it to put it to the test and asked Janice if she'd be interested in reading either of my novels - The Messiah Paradigm (even in revised form) or The Oswald Option. Her answer: "No, they're both too violent for my tastes! A crucified girl savior? No way!"
There you have it. (Male) writers beware!
See Also:
Would Any Of My Atheist Books Be Banned In The Current Culture War Spree? Yes - Every Last One!